WHAT'S HAPPENING

The Beatles!

 

 

 

 

 

Backstage and Behind the Scenes

See our exclusive new exhibit and you could win a trip for two to the U.K.—the land that brought us The Beatles—all expenses paid.

The Beatles! Backstage and Behind the Scenes provides a rare opportunity for music lovers to see 84 previously unpublished photos of the Fab Four’s first North American tour. This is the very first time these photographs will be accessible to Manitobans.

This fine art photography exhibit features landmark photos from the CBS Television archives, as well the work of LIFE magazine photojournalist Bill Eppridge – both known for their powerful, rare images of early Beatles’ history.

Local bands will perform within the exhibit most Saturdays during its run, and the popular Beatles Wii RockBand™ game will be available for those who really want to get into the swing of things. During Spring Break, March 27-April 4, Free Ride—the popular Beatles tribute band—will perform one 45 minute set each day at 2 p.m. view schedule (pdf)

The Beatles! Backstage and Behind the Scenes is one of the most popular traveling exhibitions available throughout North America.

Tapping into the emerging zeitgeist of the ‘60s, The Beatles! Backstage and Behind the Scenes remembers the opening events of the lads’ debut on the CBS Ed Sullivan Show and their fateful first train journey from New York to Washington, D.C.

See The Beatles! Backstage and Behind the Scenes and enter to win a trip for two to the UK! Airfare and accommodation included.

 

Copyright the CBS Television Photo Archives and LIFE photographer Bill Eppridge

 

Curator Helps Researchers Fill in the Blanks

Gail De Buse Potter, Historian and Director of The Museum of the Fur Trade, Chadron, Nebraska (right) assisted by Ann Hanson, research assistant, documents woolen trade cloth used to make a legging once owned by John Norquay.

Many people think of us as a fantastic place to spend the day with family and friends, but behind the scenes are a talented team of curators who are consistently adding to what we know about our history, geography, ecology, and environment. The groundbreaking research conducted at The Manitoba Museum has won a place in the Guinness Book of World Records, set fossil records back millions of years, and uncovered new species. Due to this success, our curators are highly respected by other institutions as experts in their fields.

During the past month, two major studies were conducted using our HBC Museum Collection and the Native Ethnology and Upper Fort Garry Archaeology collections. Kenneth Lister, Assistant Curator at the Royal Ontario Museum, worked with our curator Katherine Pettipas to correlate the subject matter of the paintings and sketches produced by Paul Kane, Canada’s renowned frontier artist, with the Kane’s Aboriginal collection at the TMM. Lister is producing a book based on the artist’s numerous sketches and oil paintings located in the Royal Ontario Museum.

Two researchers examined and photographed examples of early historical textiles that were used in the production of many our fur trade era artifacts. Gale de Buse Potter, Historian and Director of the Fur Trade Museum in Chadron, Nebraska was accompanied by research assistant Ann Hanson. Their trip to the The Manitoba Museum was part of a larger study that will result in the production of an encyclopaedia of fur trade artifacts that is being written by James Hanson, editor of The Museum of the Fur Trade Quarterly.

 

 

 

Ancient Pottery: Piecing Together Our Past

Our current Discovery Room exhibit allows you to step into the shoes of an archaeologist.

Imagine 12 puzzles jumbled together with most of the pieces missing. Then imagine you have no picture to use as a guide. Welcome to the world of an archaeologist working with pottery.

During the Ancient Pottery exhibit, the Discovery Room will be transformed into a mock archaeology lab. The exhibit will show how archaeologists and conservators piece together ancient pottery. Pottery styles change over time and are a great cultural indicator. Diversity in shape, decoration and even manufacturing techniques provide clues on who made it, how they made it, and what it was used for.

Ancient Pottery will showcase pottery from around Manitoba, highlighting:

  • Children’s pots
  • Cree clay lamps
  • Manitoba’s oldest vessel
  • Reconstructed vessels

Learn:

  • How ancient pottery was made
  • What gets surprising items were caught in the wet clay
  • What studying pot scum can tell us about ancient peoples
  • How ancient pottery is dated

Winter Clearance Sale at The Museum Shop

Enjoy special deals on the Museum Shop’s exclusive Inuk outerwear collection, which will be discounted at 50% off throughout the month while quantities last.

Featuring quality products for the Nordic climate, Inuk keeps the spirit of Inuit ancestral traditions alive. From women's t-shirts to parkas, fleece jackets, wrap shawls, hand muffs, toques and mitts, visit us when you want to keep warm in style.

The Museum Shop is not for profit. All proceeds go directly to benefit The Manitoba Museum. Just imagine—your next purchase could help fund the next big discovery!

Answer to a ten-year-old mystery found at The Manitoba Museum

New Artifacts Donated to Social History Collection Have Interesting Stories To Tell

Two fascinating cutting implements, both made of brass but used in very different ways, were recently donated to our Social History collection. By coincidence, a third donation, was a book that laid out the conditions under which one of these tools was to be used. All three items came from individuals with a long history at The Manitoba Museum.

The first artifact is a small, triple-bladed object that folds together like a jackknife. It was donated by Museum Animator Gary Peak, who found it at a Winnipeg garage sale ten years ago. Gary joined the Museum’s Education Department in 2003, following a 30-year career in Special Education. As a Museum interpreter, Gary spends a lot of time looking at and explaining artifacts. This one confounded him, and so he purchased the ten-cent item and began a decade-long quest to discover its identity.

Last fall, leafing through a copy of The Great Northwest Fur Trade – a material culture, 1763 – 1850 by Ryan R. Gale outside the Museum gift shop, Gary finally found an answer. On page 118 of the beautifully illustrated book was a four-bladed version of his garage sale find – an early 19th century bloodletting instrument known as a fleam.

Research by cataloguer Ann Hindley showed that Gary’s fleam was made some time after 1871. It was inscribed with the name of its manufacturer, Joseph Rodgers & Sons, and the company trademark of a star and Maltese cross. The company was founded in Sheffield, England in 1682, as Joseph Rodgers, and expanded in 1871 to become Joseph Rodgers & Sons.

Bloodletting - or phlebotomy - originated in ancient Greece and Egypt some 2,500 years ago. It was practised, using a variety of implements, to treat all kinds of illnesses in humans and animals. Bloodletting was based on the belief that sickness was the result of an imbalance in the body’s various bodily fluids, or “humours” - and that releasing a quantity of blood could restore good health.

The sharp-edged fleam was placed over a large vein - usually the jugular - and struck with a fleam stick to quickly penetrate the blood vessel with minimal risk to the operator or to the animal. Once the prescribed amount of blood was drained from the patient, the incision was closed with a pin and secured with thread.

The practise of bloodletting came into question by the second half of the 19th century, with the discovery of germs as a cause of illness. However, the existence of artifacts like this fleam suggests that it continued much later. Gradually, however, the use of such instruments was confined to lancing the skin to drain boils and other infections.

The second cutting tool donated to the Museum last fall came from Florence Zawislak, who has volunteered with the Palaeontology department since 1981. Florence explained that, for years family members used this brass implement to scrape mud from their boots when they came indoors. During the Second World War, however, it had a very different purpose, for it was used at the Transcona cordite plant- a highly secretive and dangerous explosives manufacturing facility that operated from 1941-1945.

The cordite knife has no markings and is made from a single piece of solid brass. It has an oval-shaped handle with an indented channel on each side, used for gripping, and a curved blade with a thick, dull cutting edge.

At one time the knife belonged to Florence’s father-in-law, Sebastian Zawislak. Mr. Zawislak was a Polish immigrant who arrived in Canada with his brothers at the outset of the Great War. He tried to join the Canadian Expeditionary Force and fight overseas in 1914, but was turned down because Canada was at war with his homeland.

When the Second World War broke out in 1939, Zawislak again offered to serve his country but this time in a different way. In 1940, the British and Canadian governments collaborated and invested 20 million dollars to construct a munitions plant - Defense Industries Limited - just east of the town of Transcona. At its peak the facility - located at the northeast corner of Highways 15 and 207 - employed some 2,460 men and women who worked with cellulose nitrate, nitro-glycerine, and mineral jelly in the manufacture of an explosive substance called cordite.

Zawislak was hired as a labourer at the cordite plant. Like his co-workers, he arrived for his 12-hour shift each day via a special train that transported people and explosive materials past a towering wire fence patrolled by armed guards. When the war ended, Zawislak helped with the final clean up of the 1,000-acre site and its various munitions shops. He was one of the last workers to leave the facility, and he brought the knife home with him as a memento.

A third item donated to the Social History collections this fall came from long-time volunteer Ed Dobrzanski. Ed began assisting in the Palaeontology Department in 1992, but he has a keen interest in material culture and has helped in the Social History department as well, donating and identifying artifacts.

Ed’s last donation was a small hardcover book that originally belonged to his father. Entitled General and Special Rules – Defense Industries Limited, this book was issued to individuals who were employed at the Transcona cordite plant. The book was published in Montreal in 1941, and outlines the strict conditions of employment that were enforced at the plant in the interests of physical safety and wartime security.

Employees were forbidden to bring cameras to the site or to discuss what went on there with others. Great care had to be taken to prevent fires and explosions. Ferrous metals that might cause sparks, like steel and pig iron, were forbidden at the site and special clothing, handling, and cleaning procedures were required to limit the risk inherent in manufacturing explosives.

Ed’s father worked in the mixing shed, combining cellulose nitrate, nitro-glycerine, and mineral jelly in large mixers to make cordite paste. The exact composition, Ed explained, was determined according to the specific use intended for each batch. Once mixed, chunks of the pliable cordite were cut off and sent to another work area to be extruded through dies, like pasta dough going through a spaghetti press. Long strings of cordite were made this way and then cut to size and dried for later use inside a shell. It is possible that Peter sometimes used a cordite knife like the one seen here, salvaged by his co-worker, Sebastian Zawislak.

By Social History Curator Sharon Reilly